Three generations of master karigars crafting heirloom jewellery in the living tradition of Jaipur's ancient goldsmithing guilds. Each piece is a conversation between 22-karat gold and living stone.
Each collection is born from a particular moment in India's artistic traditions — woven into wearable form.
A single Aarya piece takes between 3 weeks and 6 months to complete — depending on the complexity of its stone-setting and enamel work.
Our gemmologists travel to Jaipur's Gemstone Exchange twice a year, hand-picking every ruby, emerald and sapphire for colour, clarity and cultural resonance.
Designers sketch each piece by hand on archival paper. No CAD. The organic imperfection of a hand-drawn line is the beginning of the jewel's soul.
Master karigars forge 22-karat gold using centuries-old techniques: thewa, filigree, and surface repoussé hammered into intricate relief forms.
The Patel family applies vitreous enamel by hand — each colour fired separately at 800°C to achieve the jewel-like depth Aarya is famous for.
Each gem carries a geological history spanning millions of years. We treat that history with reverence.
Pigeon-blood colour. Fluorescent in sunlight. Aarya sources only GIA-certified Mogok rubies above 1ct.
Vivid green with the "jardin" of natural inclusions that authenticate origin. Pairs with gold for the classic Mughal aesthetic.
Velvety royal blue with a distinctive "sleepy" quality. Fewer than 200 carats mined annually worldwide.
Natural saltwater pearls, no nucleus, no treatment. The most prized pearl in Mughal jewellery tradition.
My Aarya bridal set was the most commented piece at our wedding. Every guest asked where it was from. Three months later my mother-in-law is ordering her own anniversary set.
I've been buying from Aarya for fifteen years. The quality has never wavered. My Kundan necklace from 2009 looks as alive today as it did the day I received it.
As a Kathak dancer I need jewellery that moves with my body. The Aarya temple pieces are perfectly balanced — heavy enough to be seen on stage, light enough to dance in for three hours.
Without these master artisans, AARYA is just a name. They are the living tradition.
14-A, Johari Bazaar
Hawa Mahal Road
Jaipur — 302 003
Shop 4, Maker Chambers IV
Nariman Point
Mumbai — 400 021
DLF Emporio, Level 2
Nelson Mandela Road
Vasant Kunj — 110 070
Avenue 12, Road No. 10
Banjara Hills
Hyderabad — 500 034
UB City Mall, Ground Floor
Vittal Mallya Road
Bengaluru — 560 001
Khader Nawaz Khan Road
Nungambakkam
Chennai — 600 006
Nine curated collections spanning the breadth of India's jewellery traditions — from the Mughal-inspired Kundan and Polki pieces of Jaipur to the bold temple jewellery of Tamil Nadu's ancient traditions.
Every collection is designed in collaboration with hereditary karigar families who have mastered these techniques across generations. We do not manufacture. We commission craft.
In 1962, a young goldsmith named Ratanlal Aarya opened a modest workshop at 14-A Johari Bazaar, Jaipur. He had apprenticed for twelve years under the master Kundan setter Kishan Das Soni, and carried in his hands the accumulated wisdom of four centuries of Rajput court jewellery.
"Gold does not make the jewel. The karigar's intention makes the jewel. Gold is only the medium through which love takes permanent form."
— Ratanlal Aarya, 1962
Three generations later, his granddaughter Priya Aarya directs the house with the same conviction — honouring the old techniques while building a vocabulary of Indian luxury that speaks to a new generation of culturally rooted, aesthetically fluent Indian women.
Today AARYA employs over 400 master artisans across six workshops in Jaipur, Hyderabad, and Kolkata — each a practitioner of a specific regional jewellery tradition, each from a family that has practised it for generations.
Ratanlal Aarya opens his first atelier at 14-A Johari Bazaar with four karigars and a commission from the Maharaja of Bikaner's household.
Aarya formalises an exclusive partnership with the Khatoon family of Old Jaipur — the most celebrated meenakari practitioners in Rajasthan.
Suresh Aarya expands the house to include temple jewellery, partnering with the Naidu family of Nagercoil — 5th-generation practitioners of the Tanjore tradition.
AARYA opens at Nariman Point, bringing Jaipur's heritage jewellery to a national audience. The opening collection "Zenana" sells out in three days.
AARYA becomes the first Indian jeweller to require GIA certification on all stones above 0.5 carats — an industry-first commitment to transparency.
Priya Aarya, with a degree from London College of Fashion and an apprenticeship at Cartier Paris, takes over as Creative Director.
The Government of India's Ministry of Textiles presents AARYA with the National Craftsmanship Award for preserving traditional jewellery techniques.
8 boutiques across India. 400+ artisan partners. 9 collections. And still the same four walls of the Johari Bazaar workshop where everything began.
Trained at London College of Fashion and Cartier Paris. Priya returned to Jaipur in 2016 determined to build a house that honours the past without being frozen in it. Three consecutive Vogue India Heritage Jeweller of the Year awards followed.
Suresh expanded AARYA from a single Jaipur workshop into a nationally recognised house. His 1989 decision to partner with South Indian temple jewellery masters transformed the company's range and reputation.
A goldsmith's apprentice who became one of India's most respected jewellers. Ratanlal spent 42 years in the workshop, setting stones until the year he passed. His tools hang at the Jaipur flagship — polished and never put away.
All AARYA gold is tested and hallmarked by Bureau of Indian Standards. 22K or 18K — verified, documented, certified.
Stones above 0.5ct carry independent GIA or IGI grading reports. You receive the certificate with your jewel.
All stones are sourced through certified supply chains compliant with the Kimberley Process.
AARYA pays artisans 40% above market rate, with health insurance, school fees, and retirement support.
All AARYA boxes are made from recycled handmade paper from Sanganer, Jaipur, dyed using natural pigments.